The Hidden Light: A compendium of classical Kabbalah for readers outside the tradition
The Zohar · Sefer Yetzirah · Sefer ha-Bahir · Sha’arei Orah ·
Tikkunei ha-Zohar · Pardes Rimonim · Etz Chaim · Tanya · Talmud
Eser Sefirot
This book was written for a particular kind of reader:
someone who is not Jewish, who has no yeshiva training and
no Hebrew, who has encountered the word Kabbalah and
found that almost everything written about it in English falls
into one of two useless categories. The first category is the
popular occult book, which takes the sefirot as a set of tarot
correspondences and treats the tradition as a supply depot
for Western esotericism. The second is the specialist
monograph, which assumes you already know what a partzuf
is, what Atzilut means, and why anyone should care whether
the Zohar was written in 1280 or 180. Between the two there
is a gap wide enough to drive a library through.
What follows is an attempt to fill that gap honestly. It is a
textbook in the strict sense: it proceeds in order, defines its
terms before using them, cross-references itself, and expects
to be read rather than consulted. It covers nine primary
works that together constitute the spine of the Jewish
esoteric tradition from late antiquity to the twentieth
century. For each, it asks four questions. What is this book,
physically and historically? What does it actually say? What
technical vocabulary does it introduce or transform? Andhow does it relate to the works that came before and after it?
The subtitle says “for readers outside the tradition,” and
that phrase deserves unpacking, because the request that
produced this volume used the Hebrew word goyim. The
word means, simply, “nations” — in biblical Hebrew it is
applied to Israel itself (Genesis 12:2) before it narrows, in
later rabbinic usage, to mean the nations other than Israel. It
carries a range of tones in living speech, from neutral to
pejorative, depending entirely on who is speaking. Used here,
it is descriptive and without edge: this is a book for the
seventy nations, written in the conviction that the material
can be presented accurately to outsiders without either
flattening it into self-help or guarding it behind a wall of
untranslated terminology.
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